There are two distinguishing features to the existential crises in American history.
The first is it makes us return to first principles, causing us to re-examine, criticize, and eventually deify the past.
In the run-up to World War II, a crisis that really began four score and seven years ago, in 1932, there was a vogue for Abraham Lincoln. Henry Fonda and Raymond Massey did popular biopics, and his memorial became a sort of Ground Zero for what was best in our political natures.
In our time, Lin Manuel Miranda did this to Alexander Hamilton while Ron Chernow, who did the biography of Hamilton on which the movie was based, proceeded to resurrect U.S. Grant. The purpose of both these pieces of art was political. Miranda wanted to highlight the importance of immigrants in getting the job done. Chernow wanted to push back against a Confederate-inspired view of history that still, 150 years later, has those who supported human rights being disparaged while those they fought are exalted.
We love to call America the world’s oldest democracy. We revere the founders as giants. We even call them the Founders.
But the original Constitution was profoundly anti-democratic. Women couldn’t vote. Neither could blacks, nor native Americans. The franchise was reserved for white males, and not even all of them. You had to be a property owner.
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